National Geographic photographer Jim Richardson once said: “If you want to be a better photographer, stand in front of more interesting stuff.”
According to my Lightroom catalog, I took 12,173 photos this year. Granted, not all of the things in front of me were interesting. Or even in focus. But still. It was a prolific year.
The process of reviewing a year’s worth of pictures is always interesting, because common themes always emerge. As I looked back over previous recaps (mostly to make sure I’m not getting worse at this), I realize my photography style has changed quite a lot over the decade. I’m becoming much more of a landscape, travel and fine art photographer and much less of a street/people shooter. And I’ve definitely become more technically capable. There are pictures in this year’s list that I simply couldn’t capture just 3 years ago - I didn’t know enough about my camera to get the settings right.
The big themes I was drawn to for 2019 were epic scenes, leading lines, sunset palettes and silhouettes. The collection this year is also strangely bipolar. The images are either totally serene or totally chaotic, with not much in between.
2019 was also a big year for new long-term photography projects. Here are four ongoing projects that kicked off in 2019. You can follow the links below to see the full galleries.
2019 PROJECTS:
Shutter and Grind is a project I’ve had on my “someday” list for a long time. It’s a clothing label of original fine art photography apparel for adults, kids and even babies (What? Babies need cool clothes too!) $1 from every shirt sold goes to help pets at Best Friends Animal Society. Check it out and shop here.
A few years ago, I started a project called “Crud,” a germaphobe’s eye view of the cringe-worthy, yet strangely beautiful “crud formations” in NYC subway stations. It even got a bit of press.
“Chaos” is close, above-ground-relative. It captures another under-appreciated side of NYC life: The Chaos.
Most of the time, photography is about creating focus and reduction. This series is the exact opposite. Each streetscape is a sort-of-still-life, counterintuitively composed to be as sloppy, claustrophobic, and anxiety-inducing as possible. You can see the full Chaos gallery here. For maximum impact, be sure to click into each photo to view them one at a time.
Much to the chagrin of my sleepy airplane seat-mates, I’m not one to take the window seat and just leave the shade down. This is why.
I fell in love with photography in the post-digital era. So even though I grew up with film, I never really learned to shoot it, beyond snapshots and disposable point and shoots. But lately I’ve become more and more intrigued by the look, and the more-considered process of shooting film. This year I finally dove in headfirst, and somehow collected a dozen old film cameras along the way. (Apologies to my wife for completely taking over our closet with my toys.) I’m just getting started, but I’m pretty pleased with the results so far. You can see the new gallery of 35mm and medium format film photography here.
THE 25 BEST PHOTOS OF 2019
Without further ado, and in no particular order, here are my 26 best photos of 2019. (I know. It was only supposed to be 25. But I’m bad at math and self-editing).
Click on any image to see it bigger in Lightbox mode.
Santa Monica beach is one of my favorite places in the country to shoot. I’ve taken a lot of photos from this location during trips to L.A. over the years. But this was the first time I noticed muscle beach. I realized if I got down low enough, underexposed the image, and got the shutter speed fast enough, I could silhouette the people and freeze the action against the pastel sunset.
Waking up at 4:45 am and getting out a very comfortable, very warm bed to go take sunrise photos on a frosty November morning is the worst thing ever. Until you get out there and it’s the best thing ever.
In the town of Sandwich on Cape Cod’s north shore (mmm, Sandwich), there’s a 1/4 mile long elevated boardwalk that crosses over the salt marshes on the way to the beach. This raised platform is (unofficially) for local high school and college students to show off their acrobatics. The whole scene felt like something from another time - simple, wholesome summer fun, and not a single smartphone or GoPro to be seen. I love the chaotic energy of the shot on the right. Cropping out the water makes it more mysterious and hard to know what’s even going on.